Sunday, February 28, 2010

An X-Rated American Dream


By: Rachel Morgan
2/28/2010

Editor's note: This post is R-rated.

It looks just like any other DVD store. A cheerful blue awning with unassuming white letters that read ‘14th St. DVD Center,’ juts out onto the street. Walk through the smudged double glass doors, however, past the three shelves of over-priced regular DVDS and you will enter the store’s immense x-rated section.

The section is three times larger than its PG-counterpart. A gold curtain separates the two, but it’s almost always pulled back to reveal six rows of floor-to-ceiling shelves. The shelves are organized into different genres - guy-on-guy action, women with unnaturally large breasts, the archetypal schoolgirl fantasy.

One has to wonder who would work in a place like this, with nude, suggestive posters plastering the walls and x-rated DVDs and sex toys lining the shelves. Perhaps the clerk at the counter isn’t a sex fiend with a toe fetish, rather a recent immigrant who came to the United States to in search of opportunity and the quintessential American dream but instead found himself behind the counter of a sex shop.

Behind this glass countertop sits 21-year old Dawson Pavithran of Queens, manager of the store.

He’s short in stature, only about 5’5’, and has two rows of perfectly straight, startlingly white teeth. He wears a gold chain with a tiny silver hoop attached. He said his mother warns him to stay away from the homosexual customers that come into his store.

“My mother gave me this necklace with a cross on it, but I lost the cross to I replaced it with my earring,” he said. The earring has a tiny marijuana leaf on it. He wears a navy blue hoodie with no shirt underneath, unzipped to reveal a patch of jet-black chest hair.

The counter is raised about two feet so he can see the whole store, watching for shoplifters - perhaps a prepubescent boy too embarrassed to buy the pornographic video about naughty Catholic schoolgirls.

The soft-spoken Sri Lankan native has worked at 14Th St. DVD Center for nearly two years. He came to the United States for the same reasons as many – in search of a better life, higher-paying job, to attend college. His mother and father are still living in Sri Lanka.

“I wanted a better life,” he said simply. Despite his aspirations of pursuing a better life, it’s obvious that Pavithran’s dreams didn’t quite pan out.

But Pavithran is not alone. According to the Fiscal Policy Institute of New York, immigrants of working age tend to work a wider variety of jobs – in other words, will work jobs that their American-born peers may not want. The study showed that 35 percent of the workforce of New York City is made up of immigrants, although they make up only 28 percent of the population.

Pavithran got the job at the DVD store because it is owned by one of his father’s friends. He said both his mother, a housewife, and father, who owns a jewelry store, know he works there.

“[My father’s] been there,” he said. “He’s cool with it.” He says his mother, a native of India and a Hindu, is okay with his job, but is always sure to separate her son from the work he does.

“She says, it’s just a job, what I’m doing is just a job,” he said. “It’s not who I am.” Pavithran himself is Roman Catholic, like his father, but he said he doesn’t attend church regularly.

Pavithran didn’t come to the United States to sell pornography and strap-ons to the residents of the East Village. It was simply a product of circumstance. He attended FIT for three months for fashion design before he ran out of money and was forced to withdraw, he said. Now, he’s working to save up money to go back to school, so he can achieve his dream of designing his own line of clothing.

“I got about halfway through and now I really wanna go back,” he said. But he has no set date or plan as to when he will.
Pavithran has an unexpected passion when it comes to design.

“My thing is wedding gowns, that’s my [dream,]” he said, leaning his arm against a partition adorned with a giant poster that reads “Oil Dat Big Ass Up” and featured various well-endowed, well-oiled women in thongs.
While he explained his dreams to finish his schooling at FIT and someday see his designs grace the pages of Vogue and InStyle, a 50-something year old, hefty businessman in a khaki trench coat purchased a stack of six videos from the girl-on-girl section.

The store is lit by floresant lighting, giving its patrons neither privacy nor anonymity to purchase its wares.

Pavithran completes the whole transaction without meeting the man’s gaze, it’s hard to tell if this is an unofficial requirement of the job or just his personal preference.

“People who come here are really freaks,” he said. “There are all different kind of people, different mentalities.”
Just last week, he went rogue and got into a fistfight with a male patron who was hitting on him and wouldn’t take no for an answer, he said.

“He come on to me,” he said. “[Some of the homosexual] people come in here, go to the gay section. But instead of looking at the movies, they look at us. They don’t care if we are gay or straight. It just makes them feel happy when they look at us.”
Pavithran has a girlfriend, a part-time babysitter who doesn’t like the fact that he works in the XXX section of a video store.
He said he’s not really into the sexually adventurous things that are sold in his store.

"This is just my job,” he said. But, he does say that if he and his girlfriend want to purchase sex toys or porn videos, they go to another store, so that his co-workers won’t give him a hard time.

Pavithran cites the store’s top sellers as the Rabbit , although he was unaware of the Rabbit’s infamous appearance on the popular HBO show Sex and the City, and the Bullet, both vibrators.

When asked by acquaintances where he works, he usually just tells people it’s a video store, he said.
“I’m really looking for some other jobs too,” he said. “If I find a better job I’ll leave this.”

But for now, it’s easy for him to pretend that he has a regular 9-5 gig, as he works Monday through Saturday from 9 a.m. – 6 p.m. It’s clear that he’s not exactly proud of where he works.

“This is my life,” he said, gesturing toward a wall covered in freakishly large rubber penises, oversize strap-on breasts and synthetic vinyl vaginas. “Every morning when I come in, I see boobs. Fake boobs.”

Monday, February 15, 2010

Whitney Port of "The City" talks fashion, dating and the death of designer Alexander McQueen


Q: So tell me a little bit about what you’re wearing right now.
WP: Ok, I’m wearing a Charlotte Ronson t-shirt, Adam pants, Gssapi Sanovi shoes and a mixture of different jewelry – Bing Bang, Ventin Palin, CiCi Stuff.

Q: If you could compete in any Olympic winter sport, what would it be?
WP: I just got asked this question actually. I would probably say figure skating. I grew up watching it with my grandparents. It’s like dancing on ice and I love to dance.

Q: So what are your thoughts on Alexander McQueen’s recent death?
WP: I think it’s so tragic, it’s so sad. Like obviously, you can’t really make sense of it and it’s a huge loss for the fashion world.

Q: So fashion-wise, what’s your spring/summer must have?
WP: I think a lot of watercolor prints are really fun. I mean it’s hard to pull it off right now, like I almost came in something like that, like this yellow number but I was like, I don’t know. It’s hard. Dressing right now is really hard with this snow. I walk out of my apartment and I [step] in full snow up to my knees. I’m still learning how to dress for the whole weather situation out here.

Q: What’s the worst way you’ve ever been dumped?
WP: To be perfectly honest, I’ve only had a couple boyfriends and I haven’t been dumped.
Q: So you’re always the dumper?
WP: In my relationships I have been the dumper. I mean there’s been times when I’ll like a guy and maybe he doesn’t necessarily like call or.. but that’s at the very beginning stages, you know, but I’ll cut that off at the pass. But yeah, in my relationships that hasn’t happened yet.

Q: Speaking of relationships are you dating anyone right now?
WP: Nothing serious at the moment.
Q: Nothing serious, just casually dating?
WP: Yeah.

Q: So what is your favorite workout tip? What do you do to stay in shape?
WP: Really, because I’m all over the place and can’t always make it to the gym, I think the best bet in my bedroom, I’ll put on some music, I’ll do some pushups, some situps, just like dance around a little bit. But when I can go to the gym, I’ll go on the treadmill or I like to take classes, I’ll take cardio classes or dance classes.

Q: So what’s your best beauty bargain under $25?
WP: Most of my beauty bargains are, I mean most of my beauty buys are under $25. I think that you can probably get a mascara, like Maybelline, Cover Girl, those are the best mascaras, at a drugstore.

Q: What Disney princess would you be?
WP: That’s a good question. Cinderella.
Q: Why?
WP: I don’t know because her story is just so.. I don’t know. I just love Cinderella. It was always my favorite fairytale growing up.

Q & A with Alexandra Richards


US: What was on your playlist tonight?
AR: I had a lot of cut copy, because I know this is like an upbeat event and they do a lot of cut copy as part of the song… you know, I love those “Sex and the City” songs they use, like “show me love, you’ve got to show me love.

Q: Are you doing other shows this week?
AR: Yeah, I’m deejaying the Jimmy Choo event tomorrow and then on Sunday, I’m doing the MAC (inaudible.) This is my best friend, he books me, gets me money.

Q: If you could compete in the Winter Olympics, what would your sport be?
AR: Skiing.
Q: Are you a good skier?
AR: No, but I just picked it up after ten years of not doing it, so I’m like really stoked that I’m back up on the skis, losing control down the hill, but not falling.

Q: So is it hard to make a name for yourself apart from your father?
AR: Yeah, it is, it’s hard. But you know, family is family at the end of the day and I’m proud of where and who I come from. At least I can do something that I love. I don’t need to be in the name or light of everything but deejaying and modeling takes you there at some point.
Q: Does it open doors for you?
AR: Yeah, it opens windows and stuff but it only takes you so far and you don’t get to have your own name at the end of the day. But you know, whatever.

Q: What is your spring/summer must have?
AR: I’ve been working a lot with Jimmy Choo lately. I’m excited, I’ve been getting like free pair. I got these for their first event that I deejayed for. They’re the European version of the London boot, that’s what they call it.

Q: What’s the worst way you’ve ever been dumped by a guy?
AR: Talking over Skittles! I was like, ‘what kind of Skittle do you like?’ and he’s like, ‘Grape’ and I said apple or something like that and he was like yeah, ‘is this working?’ and I was like, ‘No.’ So over the phone, over Skittle conversation.

Q: So on that note are you dating anybody?
AR: Yeah, I am, actually. Yeah, I’m dating, nobody serious but…

Q: Do you have plans for Valentine’s Day?
AR: Plans for Valentine’s Day? No. I’m working on Valentine’s Day. I’ve gotta hustle.

Q: So what are your favorite beauty bargains under $25?
AR: I don’t know. Less is more to me. I don’t really use a lot of stuff.
Q: But you’re wearing lipstick – what are you wearing?
AR: Red lipstick – Nars. It’s red, Ruby Red.

Q: Do you have any tattoos?
AR: I have three, yes.
Q: What do they mean?
AR: Personal. In personal places, yeah.

Q: What’s your favorite kind of shoe?
AR: My favorite shoe is actually Chuck Taylors, the Converse. I wear those. I rock those a lot.

Q: What is your favorite nail and toe color for spring?
AR: Russian Navy. I think it’s Essie. My spa on Mott between Prince and Spring, they take care of me.
Q: Chinatown all the way, $22 manicures.
AR: I live in Chinatown too. I’m cheap like that.

Q: What kind of bag are you carrying right now?
AR: My DJ bag. And I have my purse in it, as well.
Q: What kind of purse is it?
AR: Actually, it’s vintage, I got it right on Ludlow and Rivington.

Q: What kind of sunglasses are you wearing?
AR: Oh, Ray-Bans. No actually, no. I don’t wear those. I have them but I don’t wear them. The ones I own are from St. Mark’s Place, this little Indian guy on the street, he’s amazing, he sells my favorite, like big, they look like Ray-Bans. I guess you could call them rip-offs.

US: What’s your favorite designer when you want to indulge?
Q: No, I don’t. No, I do. At this point, I love Alexander Wang, I think he’s great. Zac Posen’s beautiful, if I had events to go to, I’d wear his dresses all the time, Balenciaga’s great, Gucci.

Q: What kind of jeans do you wear?
AR: Jeans? SuBe, SuBe jeans.

Q: So what do you do before you go out?
AR: Listen to music really loud.
Q: What do you listen to?
AR: The Ronnets.
Q: And your favorite song to listen to before you go out or deejay.
AR: “Sweet Little Rock and Roller” by Chuck Berry.

Q: Anything else I should know about you?
AR: I’m a cool girl. Cheers.

Monday, February 8, 2010

Jo Becker of the New York Times offers her secrets to success

MANHATTAN - For Jo Becker of the New York Times, knowing the ins and outs of the public record law is key to successful investigative reporting.

“I would recommend that familiar[izing] yourself right away, read the law of whatever state you're in ... and understand what is public and fight for it all the time,” she said.

According to Becker, not knowing the public record law is the fastest way to get brushed off by officials.

“If you know the law, you’re in a lot better position to cite it,” she said. “If people think that you know the law, they’re not going to, as a default, deny you. They hope to make you go away that way. You want to show them that you know what you’re talking about, you know what’s public in that state.”

Also, don’t automatically assume sources aren’t going to want to talk, she said.

“I think a lot of reporters make the mistake in assuming that everybody is going to not want to talk to you or stonewall you,” she said of working on her Pulitzer Prize-winning investigative series on former Vice President Dick Cheney. “[Ask yourself,] what buttons do I need to push to get them to talk to me? I spend more time thinking about it than I do about the actual questions. You try to think about what would make someone talk to [you.]”

Becker, who is now an investigative reporter for the Times, previously worked for the Washington Post, the St. Petersburg Times, the Concord Monitor and the MacNeil-Lehrer NewsHour. She received her bachelor’s degree from the University of Colorado.

For Becker, getting sources to open up about Cheney and his unprecedented amount of power as vice president meant not taking sides.

“[It’s] not going in there with sort of guns a blazing, “ she said. “[I said,] I really want to understand, sit down and tell me.”
Becker also took advantage of a growing wedge between some of the administration and Cheney’s lawyer in to get people to talk, she said.

Even doing so, the series received positive feedback from both sides of the Bush/Cheney camp after the series was published.

“I got really universally complimented by people within the Bush administration, with a few exceptions,” she said. “But generally speaking, [I got] widespread compliments from a people who, A, thought the president was being underserved; and B, think Cheney is like a hero.”

Becker and her fellow reporter for the project, Barton Gellman of the Washington Post, received a Pulitzer Prize in 2008 for the Cheney series.

Another strategy Becker employs is staying organized. After conducting more than 200 interviews for the Cheney series, Becker had to come up with an organizational system or drown in a surplus of information.

She used a computer program Lotus to organize the interviews into three categories – interviews, background information and anecdotes. After organizing the facts, she could sort through it and determine what was most important to the story.
Becker’s last secret to success? It sounds simple, but according to her, it makes all the difference – tell the truth.

“I always tell people, ‘I’m going to do this story with or without you,’” she said. “My promise to people in that situation is you’re not going to be surprised. I don’t think people should be surprised at what [they] see in the newspaper – not [if they’re] a target of an investigation."

She makes it a point to inform subjects, especially those of investigative pieces, of her intentions and her desire to hear their side of the story, she said.

“You don’t even want to lie to people,” she said. “That’s the bottom line.”

Tuesday, February 2, 2010

A journalist's journey from traditional media to new media

By: Rachel Morgan
2/1/10

Robin Fields knows first-hand the changes traditional media is undergoing in favor of more interactive, tech-savvy alternatives – simply put, because she’s done it.

Fields, 42, is a senior editor for ProPublica, a non-profit, privately funded, independent new source that focuses primarily on investigative reporting and public interest stories.

Fields, who received her M.A. in journalism from Northwestern University, made the leap to the interactive fledgling news website from her steady nine-year gig as a reporter for the L.A. Times. The move wasn’t easy, she said – more like a leap of faith.

“I certainly get asked [why I left the L.A. Times to go to ProPublica] a lot when I made the decision, mostly by my friends,” the New York City native said. “I’d has a great run at the L.A. Times. I’d done just about everything I’d come there to do.”
When ProPublica called her in April 2008, asking her to get in on the ground floor of the interactive, relatively-new media outlet, she saw the perfect opportunity to do something more.

“What [ProPublica] had in mind seemed exciting,” Fields said. “It was a place where I could help shape what it was. With the bigger media outlets, they were what they were and they were going to be what they were with or without me.”

So Fields chose ProPublica, defying the trend and leaving the L.A. Times, a newspaper often referred to as “the velvet coffin,” since most of their journalists stay on staff, literally, until they die.

Fields, a slender blonde with a throaty voice and wry sense of humor, embodies the dilemma many journalists are facing today – work for the struggling, yet established newspaper or taking a chance on a new form of news media outlets such as ProPublica.

For Fields, taking a chance seems to have worked out. At the beginning of 2010, was promoted to senior editor. Now she oversees five reporters and ProPublica’s staff has grown to 32 employees.

“There are a lot of new things that [are being] tried,” she said. “Some will succeed, some will fail – but a lot of these things would never have happened if there wasn’t so much destruction.”

ProPublica strives to tell stories that are being phased out by a print industry that was being rocked by layoffs, loss of advertising revenues and cutbacks, she said.

“We want to have a ripple effect,” she said. “If you can put content out there that people can use, then you can have a much bigger effect.” On such interactive tool featured on the website is a state stimulus tracker, where readers can see exactly where and when their state’s stimulus money is being used.

ProPublica has the funds to publish its trademark longer, expensive-to produce investigative pieces partially because it’s privately-funded - a fact that draws some eyebrow raising.

But Fields maintains that ProPublica’s primary donor, the Sandler Foundation, has no say in the editorial content of the site.

“We basically ask them when the next check is coming in,” she said of the Sandler Foundation’s involvement in ProPublica. “They’re just as surprised as everyone else when we drop a story.”

Fields is used to the criticism of ProPublica’s controversial private funding and said other news sources as not immune to criticism, either.

“The only way you can prove your credibility is to do it everyday,” she said. “The L.A. Times was probably criticized 100 times a day for being a Democratic dinosaur, the Wall Street Journal for being a bunch of wide-eyed conservatives.”
New forms of media outlets like ProPublica are becoming more and more common as the journalism industry takes a nosedive.

These economic woes have also sparked collaboration between formerly rival news sources, Fields said.

“We used to be trying to beat each other on the same story,” Fields, a former investigative reporter said. “Now we’re often working in partnerships with other newspapers. Now, all of the papers share content with each other.”

It’s a far cry from Field’s early days as cub reporter in South Florida, which she refers to as “the most viciously competitive environments you could imagine.”

As far as Fields’ future, does she plan to stay in the world of interactive, online media or return to the world of print journalism once it recovers?

“I would never say I would never do that again,” she said. “I think that the big news outlets, the New York Times, the Wall Street Journal, are going to come out on the other side of this in some form that we haven’t gotten our heads around yet.”